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Since
1972, Harry Gamboa Jr. has utilized 35mm B&W and 35mm Color
photography to document and interpret the Chicano urban experience.
Many
of the 35mm B&W, 35mm Color, and digital photographic works presented
in this site have been exhibited at various venues and have appeared
in numerous publications including:
Solo
Exhibitions
Accumulation
Patricia Correia Gallery
Santa Monica, California
2004
Site Unscene
Daniel Saxon Gallery
West Hollywood, California
1997
The
Urban Desert
LAX 94/CSU Los Angeles
Los Angeles, California
1994
L.A.
Street Scene
Eastern Washington University, Cheny, Washington
1988
Gamboa
84
Los Angeles Photography Center
Los Angeles, California
1984
Brown
In Black and White
CSU Los Angeles
Los Angeles, California
1982
Group
Exhibitions
ARTE no es VIDA:
Actions by Artists of the Americas
1960-2000
El Museo del Barrio
New York
2008
Only
Skin Deep
International Center of Photography
New York
2003
Cuatro
UCR/California Museum of Photgraphy
Riverside, California
2001
Made
in California
Los Angeles County Museum of Art
Los Angeles, California
2001
Berlin Mein Stadt/L.A. My City
Akademie der Künste
Berlin Tiergarten
Germany
2001
American
Voices:
Latino Photographers in the U.S.
International Gallery
Smithsonian Institution, Washington, D.C.
1998
From
The West:
Chicano Narrative Photography
The Mexican Museum
San Francisco, California
1996
Chicano
Art:
Resistance and Affirmation
Wight Art Gallery
UC Los Angeles
Los Angeles, California
1990
Tercer
Muestra de la Fotografia Latinoamericana Contemporanea
Museo Nacional de Bellas Artes de la Habana
Habana, Cuba
1984
Con
Cariño
Kulturant der Stadt Erlangen und Institut Fur Anglistik und Amerikanistik
Erlangen-Nurenberg
W. Germany
1982
Asco
82
Galeria de la Raza
San Francisco,California
1982
Segunda
Muestra de la Fotografia Latinoamericana Contemporanea
Palacios de las Bellas Artes
Mexico City
1981
Primer Muestra de la Fotografia Latinoamericana Contemporanea
Museo de Arte Moderno
Mexico City
1978
Some
of the images in the series have been funded in part by fellowships/grants:
Durfee
Foundation
2001
The
Flintridge Foundation
2000
J.P.
Getty Trust Fund for the Visual Arts
1990
National
Endowment for the Arts
1987
1980
Mexican
American Legal Defense and Education Fund
1978
Special
thanks to:
Morrie
Camhi
Bailey
Wong
Zone V Photo Lab
Hollywood, California
Willie
Garcia
Suggested
reading:
Barron,
Stephanie; Berstein, Sheri; and Fort, Ilene Susan, ed.
Reading California
Art, Image, and Identity, 1900-2000
Los Angeles County Museum of Art
Noriega, Chon A.
From Beats To Borders
An Alternative History of Chicano Art in California
pgs. 352-371
University of California Press
2000
Barron,
Stephanie; Berstein, Sheri; and Fort, Ilene Susan, ed.
Made in California
Fox, Howard N.
Tremors in Paradise 1960-1980
pg. 227
University of California Press
2000
Garcia,
Ramón
Patssi's Eyes
Aztlán
Vol. 22, No. 2
University of California, Los Angeles
Fall, 1997
Gonzalez,
Jennifer A.,
Negotiated Frontiers
Exhibition catalogue
From The West
The Mexican Museum
San Francisco, California
pgs. 17-22
1997
Forde,
Ed
No Alibi:
Works By Harry Gamboa Jr.
Exhibition catalogue
LAX 94
pgs. 58-63
Los Angeles, California
1994
Valle,
Victor
Chicano Art: An Emerging Generation
LATINO SERIES
Los Angeles Times
Calendar section
pgs. 4-6
Los Angeles, California
August 7, 1983
Goldman,
Shifra
Brown In Black and White
Artweek
Vol. 13, No. 21
Oakland, California
June, 1982
de Los Angeles Padron, Maria
Cafe En Blanco y Negro, Por Gamboa
La Opinion
Los Angeles, California
May 20, 1982
Orth,
Maureen
The Soaring Spirits Of
The Chicano Arts
New West
Los Angeles, California
September 11, 1978
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TPI-NGS
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La
Luz
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LAX/94
1994
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Global
Conceptualism
MIT
2000
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Photography Institute
1999 |
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Harvard University
2004 |
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